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Marie Selfage’s political thriller the mom It holds significance for all involved, particularly producer and actor Udhayanidhi Stalin. It serves as Udhayanidhi’s last film as an actor before he transitions entirely into his political career. With the film garnering massive praise from all quarters, Udhayanidhi couldn’t be happier as he bids farewell in the most heartwarming manner.
Meanwhile, buoyed by Mamannan’s success, Udhayanidhi recently gifted a luxury car to the film’s director, Mary Selvaraj, as a token of gratitude. Taking to Twitter to share his happiness with the film’s success, Udhayanidhi wrote, “Everyone discusses it differently. They share thoughts on their ideas of story and field. It has become a controversial topic among Tamils ​​all over the world. Our leaders like Ambedkar, Periyar, Anna and Kalinaar have instilled a sense of self-respect and ideas of justice Social in the younger generation. Huge commercial success as well. @RedGiantMovies_ is pleased to present a Mini Cooper to @mari_selvaraj sir. Thanks to Sir @mari_selvaraj for giving wings to ‘Mamannan’ to fly around the world”.
As per reports, Maamannan is expected to be a box office success and has already collected approximately Rs 23.79 crore. Industry tracker Sacnilk, released on June 29 (Thursday), reported mints of around Rs 6.75 crore on the first day. While the film’s collection saw a slight dip on the second day, with the film grossing just ₹4 crore, Mamanan bounced back on Saturday and earned ₹6.25 crore. After raking in approximately Rs 6.79 crore on Sunday, the film is expected to earn Rs 3.85 crore on Monday.
In Tamil Nadu, it was the movie Occupancy rate of 57 per cent on the first day, which is a large number for a medium-sized film like Ma’man. Apart from Tamil Nadu, the film also got good response in Kerala and Karnataka states, according to film trade analysts.
Starring Vadivelu, Fahadh Faasil and Keerthi Suresh in prominent roles, Mamanan has music by AR Rehman.
In his review of the film, Kirubhakar Purushothaman in The Indian Express wrote, “Mamnan is perhaps Marie Selvaraj’s weakest film even though the director is unabashedly frank about his political affiliations”.
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